Victor Weisskopf and the many joys of scientific insight

Victor Weisskopf (Viki to his friend) emigrated to the United States in the 1930s as part of the windfall of Jewish European emigre physicists which the country inherited thanks to Adolf Hitler. In many ways Weisskopf's story was typical of his generation's: born to well-to-do parents in Vienna at the turn of the century, educated in the best centers of theoretical physics - Gottingen, Zurich and Copenhagen - where he learnt quantum mechanics from masters like Wolfgang Pauli, Werner Heisenberg and Niels Bohr, and finally escaping the growing tentacles of fascism to make a home for himself in the United States where he flourished, first at Rochester and then at MIT. He worked at Los Alamos on the bomb, then campaigned against it as well as against the growing tide of red-baiting in the United States. A beloved teacher and researcher, he was also the first director-general of CERN, a laboratory which continues to work at the forefront of particle physics and rack up honors.

But Weisskopf also had qualities that set him apart from many of his fellow physicists; among them were an acute sense of human tragedy and triumph and a keen and serious interest in music and the humanities that allowed him to appreciate human problems and connect ideas from various disciplines. He was also renowned for being a wonderfully warm teacher. Many of these qualities are on full display in his wonderful, underappreciated memoir titled "The Joy of Insight: Passions of a Physicist".

The memoir starts by describing Weisskopf's upbringing in early twentieth century Vienna, which was then a hotbed of revolutions in science, art, psychology and music. The scientifically inclined Weisskopf came of age at the right time, when quantum mechanics was being developed in Europe. He was fortunate to study first at Göttingen which was the epicenter of the new developments, and then in Zurich under the tutelage of the famously brilliant and acerbic Wolfgang Pauli. It was Göttingen where Max Born and Heisenberg had invented quantum mechanics; by the time Weisskopf came along, in the early 1930s, physicists were in a frenzy to apply quantum mechanics to a range of well known, outstanding problems in nuclear physics, solid state physics and other frontier branches of physics.

Pauli who was known as the "conscience of physics" was known for his sharp tongue that spared no one, but also for his honesty and friendship. Weisskopf's first encounter with Pauli was typical:

"When I arrived at the Institute, I knocked at the door of Pauli's office until I heard a faint voice saying, "Come in". There at the far end of the room I saw Pauli sitting at his desk. "Wait, wait", he said, "I have to finish this calculation." So I waited for a few minutes. Finally, he lifted his head and said, "Who are you?" I answered, "I am Weisskopf. You asked me to be your assistant." He replied, "Oh, yes. I really wanted (Hans) Bethe, but he works on solid state theory, which I don't like, although I started it."... 

Pauli gave me some problem to study - I no longer remember what it was - and after a week he asked me what I had done about it. I showed him my solution, and he said, "I should have taken Bethe after all."...

In spite of this rather inauspicious start, Weisskopf became both a very good physicist and a close friend of both Pauli and Bethe; he credits Pauli for lovingly 'spanking him into shape'.

Weisskopf also spent a productive year at Niels Bohr's institute in Copenhagen, where he was the 'victim' of Bohr's extended walks and tortuous reformulations of scientific statements to render them as accurate as possible. He benefited immensely from Bohr's style, as did many other leading theoretical physicists of the time. Bohr was known for his Delphic utterances and his mesmerizing personality that left listeners both frustrated as well as filled with a sense of wonder; only Einstein was more famous in the world of science then. In Copenhagen Bohr had created his own magic kingdom, one to which almost every budding physicist was required to make a pilgrimage. Many memories of Weisskopf's time with Bohr are recounted, but one in particular attests to the man's fame, essential qualities and influence:

"One evening at six o'clock, my usual quitting time, Bohr and I were still deep in discussion. I had an appointment that night and had to leave promptly, so Bohr walked me to the streetcar stop, about five minutes from his house. We walked and he talked. When we got there, the streetcar was approaching. It stopped and I climbed on to the steps. But Bohr was not finished. Oblivious to the people sitting in the car, he went right on with what he had been saying while I stood on the steps. Everyone knew who Bohr was, even the motorman, who made no attempt to move to start the car. He was listening with what seemed like rapt attention while Bohr talked for several minutes about certain subtle properties of the electron. Finally Bohr was through and the streetcar started. I walked to my seat under the eyes of the passengers, who looked at me as if I were a messenger from a special world, a person chosen to work with the great Niels Bohr."

Weisskopf made important contribution to quantum electrodynamics, but he suffered from a self-admitted lack of confidence that sometimes kept him from pushing calculations through. In one episode, he made an important mistake in a paper that one of Robert Oppenheimer's students pointed out in a private letter; Weisskopf was grateful and rightly comments that in today's times, that student might have directly sent a strident correction to the journal the published the paper, causing public embarrassment. 

In another, more consequential embarrassment that must have been jarring, he wrote a paper after the war on the famous Lamb Shift that revealed fundamental discrepancies in the structure of quantum field theory. He then and compared the results with ones acquired by Richard Feynman and Julian Schwinger, the new young mandarins who were revolutionizing the field. When his results did not agree with theirs, he withheld publication; surely physicists as brilliant as Feynman and Schwinger couldn't be wrong? After a few weeks, he heard from Feynman who had realized that both he and Schwinger had made the same mistake in their calculation. Weisskopf was right, and if had published his paper, he himself admits that he might have won a Nobel Prize. None of this engendered a sense of bitterness in him, however, and he used the incident to illustrate the importance of self-confidence in science.

After the war, the House Un-American Activities Committee (HUAC) started questioning and indicting hundreds of people for their pre-war and post-war communist party membership, and into the trap fell several physicists who were connected with national security work. One of these was Bernard Peters, a past student of Robert Oppenheimer's who had spent time in Dachau for communist agitation. Since the war, Peters had become a colleague of Weisskopf's at the University of Rochester and was doing significant research in cosmic ray physics. In June 1949, Oppenheimer gave a damning testimony against Peters and conceded that he was likely a dangerous communist. Much of this testimony was simply based on opinion and on Peters's activities before the war, with no concrete evidence. The testimony created an uproar in the physics community, much of which regarded Oppenheimer as its foremost spokesman. In response, Weisskopf wrote an impassioned letter to Oppenheimer, essentially taking him to task for his betrayal of Peters and begging him to set the record straight. He lobbied the University of Rochester and convinced its president to refrain from firing Peters. Weisskopf's conscientious actions during a period of great turmoil demonstrated resolve and empathy.

The Soviets had exploded their atomic own bomb in August 1949, and in February 1950, Senator Joseph McCarthy gave a speech in which he claimed to have a list of more than two hundred communists and likely spies in the State Department. News of physicist Klaus Fuchs' passing of atomic secrets to the Soviet Union started a furious arms race between the two nations to build a hydrogen bomb. When the debates were raging, a crucial conversation between Weisskopf and Hans Bethe in Princeton persuaded Bethe to reconsider working with Edward Teller on the hydrogen bomb. Egged on by Teller, Bethe was having a hard time deciding whether to work on the bomb. After a meeting with Oppenheimer, Weisskopf painted a vivid picture of thermonuclear destruction and convinced Bethe that even a world in which the US won a war with hydrogen bombs would not be worth living. Throughout the Cold War years, Hans Bethe was rightly considered as the conscience of the physics community, but Weisskopf could rightly be considered his wingman.

Keeping in spirit with his earlier work, Weisskopf kept on being known for the occasional mathematical mistakes that sometimes slowed down his calculations. On the other hand, this kind of inspired sloppiness made him a truly wonderful teacher, one who could provide for a completely immersive experience for his students in a way that made them feel they were participating in, rather than being taught, the process of scientific discovery. The physicist and science writer Jeremy Bernstein captured this memorable aspect of Weisskopf's trade in a 1991 review of the book:

"My visits to Viki's class in quantum mechanics at MIT were, in every way, a culture shock. The class and the classroom were both huge—at least a hundred students. Weisskopf was also huge, at least he was tall compared to the diminutive Schwinger. I do not think he wore a jacket, or if he did, it must have been rumpled. Schwinger was what we used to call a spiffy dresser.  

Weisskopf's first remark on entering the classroom, was "Boys [there were no women in the class], I just had a wonderful night!" There were raucous catcalls of "Yeah Viki!" along with assorted outbursts of applause. When things had quieted down Weisskopf said, "No, no it's not what you think. Last night, for the first time, I really understood the Born approximation." This was a reference to an important approximation method in quantum mechanics that had been invented in the late 1920s by the German physicist Max Born, with whom Weisskopf studied in Göttingen. Weisskopf then proceeded to derive the principal formulas of the Born approximation, using notes that looked as if they had been written on the back of an envelope. 

Along the way, he got nearly every factor of two and pi wrong. At each of these mistakes there would be a general outcry from the class; at the end of the process, a correct formula emerged, along with the sense, perhaps illusory, that we were participating in a scientific discovery rather than an intellectual entertainment. Weisskopf also had wonderful insights into what each term in the formula meant for understanding physics. We were, in short, in the hands of a master teacher."

Throughout his memoir, Weisskopf's consistent emphasis is on what he calls the joy of insight; whether in science, in music (he was an accomplished classical pianist) or into human beings. His focus is on complementarity and totality, themes that were hallmarks of Niels Bohr's thinking. Complementarity means seeing the world from different viewpoints, each of which may not be strictly compatible with the others, but all of which are collectively important to make sense of reality. He realized that as powerful and satisfying as it is, science is one way of comprehending the world. It gives us the facts, but it doesn't always point us to the best way to use the facts. Religion, the humanities and the arts are all important, and it is important to use as many ways as possible to look at problems and try to solve them; this applies especially to human problems where science can only take us so far.

Nevertheless, in what would be a ringing endorsement of the joy of insight into the secrets of nature during these politically troubled times, here's Weisskopf speaking about the value of science as a candle in the dark:

"I can best describe the joy of insight as a feeling of aesthetic pleasure. It kept alive my belief in humankind at a time when the world was headed for catastrophe. The great creations of the human mind in both art and science helped soften the despair I was beginning to feel when I experienced the political changes that were taking place in Europe and recognized the growing threat of war." 

"During the 1960s I tried to recall my emotions of those days for the students who came to me during the protests against the Vietnam War. This, and other political issues, preoccupied them, and they told me that they found it impossible to concentrate on problems of theoretical physics when so much was at stake for the country and for humanity. I tried to convince them - not too successfully - that especially in difficult times it was important to remain aware of the great enduring achievements in science and in other fields in order to remain sane and preserve a belief in the future. Apart from these great contributions to civilization, humankind offers rather little to support that faith."

In today's times, when so much of the world seems to be chaotic, dangerous and unpredictable, Weisskopf's ode to the 'most precious thing that we have' is worth keeping in mind. Victor Weisskopf's spirit should live on.